![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|||
![]() |
![]() |
![]() |
||||||||
![]() |
![]() |
|||||||||
![]() |
![]() |
|||||||||
![]() |
![]() |
![]() |
||||||||
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|||||
![]() |
![]() |
|||||||||
![]() |
![]() |
SUMMARY
PAGE A - Working late night at LIFE- getting a bigger brush - wrking with Rickie harrison and Archibald McLeish - working at the Capitol Building.
PAGE B - FORTUNE Feb 35, feature on the lunettes at the Capitol - meat charts for LIFE and LIFE Cook Book.
PAGE C -
Seattle World Fair, LIFE 1962, art work for the scene at night.
PAGE D - working on data for maps. Texas and Washington. Thoughts on Photocovers.
|