PEAPICKER'S
CAMP an anlytic exercise based on Dorothea Lange, Migrant Mother,
Nipoma California 1936 .
This session lookED at the choice of one image to represent from a selection
of options. From the contact sheet (or those images available, is it
possible to reconstruct the sequence of events ? We'll look at this
image that has come to represent in many people's minds the deprivations
of the migrants in America at the time of the Great Depression and "Dust
Bowl".
In
"The Assignment I'll Never Forget" Popular Photography
Feb 1960, reproduced in Beaumont Newhall, Photography:
Essays and Images Secker and Warburg, London 1981, she wrote
that it was made
"twenty-three years ago, in March 1936 when I was on a team of
Farm Securities Administration photographers... It was the end of
a cold miserable winter. I had been travelling alone in the field
for a month, photographing the migratory farm labor of California
- the ways of life and the condirtions of these people.... I was on
my way and barely saw a crude sign with pointing arrow which flashed
by me at the side of the road, saying PEA PICKERS CAMP. But out of
the corner of my eye I did see it. ... I drove into that wet soggy
camp and parked my car like a homing pigeon. I saw and approached
the hungry and desperate mother, as if drawn by a magnet. I do not
remember how I explained my presence or my camera to her, but I do
remember she asked me no questions. I made five exposures working
closer and closer from the same direction. I did not ask her her name
or her history. She told me her age, that she was thirty two. They
said that they had been living on frozen vegetables from the surrounding
fields and the birds that the children killed. She had just sold the
tyres from her car to buy food. There she sat in that lean-to tent
with her children huddled around her, and seemed to know that my pictures
might help her, and so she helped me. There was a sort of equality
about it."
Think
about the
intention and the choice of image;
analysis of the photographer's texts;
editing from a contact sheet;
pose, light, composition;
editorial use of photographs.
BOOKLIST
William Stott, Documentary Expression and Thirties America
OUP NY 1973;
Milton Meltzer, Dorothea Lange A Photographer's Life,
Farrar Straus Giroux NY 1978;
R.Coles, Dorothea Lange Photographs of a Lifetime
, Aperture, NY 1982.
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